From Chop Suey to Stroopwafels: How Chinese Food Became a Broadway Staple (Via the Netherlands?)

The Curious Case of Culinary Connections

Picture this: it’s a brisk evening in Manhattan. The curtain is about to rise on a new musical, and the energy is palpable. But before the lights dim and the first notes ring out, countless theatergoers are doing the same thing: hunched over cardboard containers, chopsticks in hand, demolishing an order of General Tso’s chicken or a pile of lo mein. Chinese food and Broadway: the unlikely duo have become a cultural touchstone, but the path from Shanghai to Shubert Alley is more circuitous than you might think. What many don’t realize is that, somewhere along the way, the Netherlands played a surprisingly significant role in shaping the global perception and enjoyment of Chinese cuisine.

This is the story of how Chinese food, a staple in America, found an unexpected home in the Netherlands, and then, almost inevitably, made its way into the heart of Broadway, becoming more than just a quick dinner, but a symbol of cultural exchange, adaptation, and the ever-evolving tastes of a globalized society.

The Golden Mountain Arrives: Chinese Food in America

The story begins in the mid-nineteenth century, with the arrival of Chinese immigrants in America, drawn by the California Gold Rush – a journey often romanticized as a pursuit of “Gold Mountain.” Initially, these immigrants sought fortune and a temporary respite from the hardships in their homeland. As they settled, Chinatowns sprung up across the nation, and with them came the first Chinese restaurants. These early establishments catered primarily to the Chinese community, offering familiar tastes and a sense of home in a foreign land.

However, it wasn’t long before these restaurants began to attract a broader clientele. Adapting to American palates and ingredient availability, Chinese cooks began to create dishes that were distinct from their traditional counterparts. Classic “American Chinese” inventions such as chop suey, egg foo young, and fortune cookies were born. These dishes, often sweeter and more heavily sauced than their authentic counterparts, quickly gained popularity, appealing to a public eager for exotic flavors at an affordable price.

Chinese food in America became synonymous with convenience and affordability. The rise of takeout culture further cemented its place in the American culinary landscape. The readily available, relatively inexpensive, and undeniably satisfying nature of Chinese takeout made it the perfect option for busy families and individuals alike. However, this widespread popularity often came at the cost of cultural nuance and accuracy. The flavors were simplified, the ingredients were standardized, and the result was a culinary experience that, while enjoyable, often bore little resemblance to the food served in China. The cultural simplification and homogenization that occurred during this period is a fascinating study in the complexities of cultural exchange.

Holland’s China Connection: A Taste of the East

While America was busy developing its own version of Chinese cuisine, a parallel story was unfolding in the Netherlands. The Dutch have a long history of interacting with Southeast Asian cultures, stemming from their colonial past in Indonesia. This history planted the seeds for the Dutch embrace of Indonesian cuisine, which, in turn, paved the way for the arrival of Chinese flavors.

After the Second World War, Chinese immigrants began to arrive in the Netherlands in increasing numbers, many from the Hong Kong region. These immigrants, like their counterparts in America, opened restaurants, bringing with them the familiar tastes of home. However, unlike the American experience, the Dutch encountered Chinese cuisine through the lens of Indonesian flavors.

“Chinese Indonesian Restaurants” became a phenomenon in the Netherlands. These establishments offered a unique fusion of Chinese cooking techniques and Indonesian spices, creating dishes that were distinct from both cuisines. Dishes like “Bami Goreng” (fried noodles) and “Nasi Rames” (a rice platter with various side dishes) became incredibly popular, demonstrating the Dutch willingness to embrace new and exciting flavors. These restaurants are still ubiquitous, a testament to the successful integration of Chinese culture into Dutch society. Even seemingly simple snacks like “Loempia” (spring rolls) have become a beloved part of Dutch culinary life. The integration of these flavors has created a unique culinary landscape that stands apart from Chinese food in other Western nations.

The Dutch experience with Chinese food highlights the importance of context in shaping culinary preferences. The pre-existing familiarity with Indonesian flavors made the Dutch more receptive to the nuances of Chinese cuisine, leading to a more nuanced and integrated culinary experience.

Center Stage: The Broadway and Chinese Food Affair

Now, let’s fast forward to the bright lights of Broadway. New York City, a melting pot of cultures and flavors, has always been a haven for diverse culinary experiences. And Broadway, the heart of the city’s entertainment industry, is no exception.

For decades, Chinese food has been a staple of the Broadway experience. Whether it’s a pre-show meal to fuel up for an evening of entertainment, or a post-show celebration of a successful performance, Chinese takeout has become an integral part of the Broadway routine. But why?

Several factors contribute to this phenomenon. First and foremost is convenience. The Theater District is teeming with Chinese restaurants, offering a variety of options to suit every taste and budget. Secondly, affordability plays a significant role. Compared to the often-exorbitant prices of fine dining establishments, Chinese takeout provides a relatively inexpensive and satisfying meal. Thirdly, the quick and efficient service ensures that theatergoers can grab a bite without missing curtain call.

Beyond the practical considerations, there’s also a sense of tradition and shared experience that contributes to the Broadway-Chinese food connection. For many, grabbing Chinese takeout before or after a show is a ritual, a way to enhance the overall experience and connect with fellow theater lovers.

Anecdotally, many Broadway performers and stagehands can attest to their preferred restaurants and orders. The familiarity and comfort food aspect adds to the culture. The smell of sesame chicken and the sound of chopsticks on a to-go container have become synonymous with the energy and excitement of the Great White Way.

Connecting the Dots: A Culinary Tapestry

So, how do these seemingly disparate elements – Chinese food in America, the Dutch love affair with Chinese-Indonesian cuisine, and the Broadway takeout tradition – connect?

The answer lies in the fascinating interplay of cultural exchange and adaptation. Chinese food, in its various forms, has traveled the globe, adapting to local tastes and ingredients along the way. In America, it evolved into a distinct “American Chinese” cuisine. In the Netherlands, it blended with Indonesian flavors to create a unique culinary hybrid. And on Broadway, it became a symbol of convenience, affordability, and shared experience.

While it’s difficult to definitively prove a direct link between the Dutch adaptation of Chinese food and the Broadway takeout tradition, it’s plausible that the Dutch experience influenced American tastes indirectly. The Dutch fondness for Chinese-Indonesian cuisine may have contributed to a greater overall acceptance of Chinese flavors in the West, making it easier for Chinese food to gain a foothold in the American culinary landscape and, eventually, on Broadway. It’s also important to understand that food is a symbol. Just as a Dutch person may recall childhood memories from the food their parents made, the same can be said for the Broadway scene. Food is a conduit for community and culture, a way to connect with others through shared experiences.

Furthermore, the story of Chinese food and Broadway is a testament to the power of globalization. The movement of people, ideas, and flavors across borders has transformed our culinary landscape, creating new and exciting culinary experiences that would have been unimaginable just a few generations ago.

A Final Curtain Call for Cultural Cuisine

In conclusion, the journey of Chinese food from the shores of China to the heart of Broadway, with a detour through the Netherlands, is a story of cultural adaptation, exchange, and the ever-evolving tastes of a globalized world. It’s a story that reminds us that food is more than just sustenance; it’s a reflection of our shared history, our cultural values, and our enduring desire to connect with others.

The next time you’re enjoying a plate of orange chicken before a Broadway show, take a moment to consider the long and winding road that led to that moment. From the early Chinese immigrants who brought their culinary traditions to America, to the Dutch who embraced the fusion of Chinese and Indonesian flavors, to the bustling restaurants of the Theater District, countless individuals have contributed to this unique cultural phenomenon. And who knows, perhaps the next unlikely culinary trend to take Broadway by storm is already simmering in a kitchen somewhere, waiting to be discovered.